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About Digital Art / Professional Justin MillerMale/United States Recent Activity
Deviant for 7 Years
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Day 552 [12-23-14]: Bidwell's Shroud by BuuckPhotography

Nice choice in subject matter, and I like the extreme perspective you're achieving here. I think my main issue with the overall piece i...

Cute Assasin by Miss-Jazz-DaFunk

You've got some really nice things going on in the shape department, especially in the upper torso. I like the little push out in the g...

Prysmyr Trade by KaydenFrei
by KaydenFrei

I greatly admire the texture and consistent use of color to produce a very warm-feeling image. The pose itself is a good one as well, t...

LAWLZY LAWLZ by Miss-Jazz-DaFunk

First off, great sketch. You can tell that your thought process was clear and uncluttered throughout the drawing. And you can tell the ...




DSC-Cheetara  Refined sketch by jerseycajun
DSC-Cheetara Refined sketch
This isn't  the first version of this drawing. So much in terms of refining shapes that it never would have fit inside the 30 minute window for :icondailysketchchallenge:.  But it was successful enough to warrant pushing it ahead to the next level.  Think I'll be continuing all the way with it.  Consider this sketch a "down payment" on the finished work.

This all done in mischief so far, but I'm switching to Manga Studio for the next phase.

Referenced the pose from :icontntjperic:
DSC-Cheetara by jerseycajun
Know I'm running late on this one.  Schedule got in the way as well as a few computer bugs. Closest yet I've stuck to the 30 minute rule though.  I like the results despite the roughness of the sketch and want to take this to the next level next opportunity I get.  Source design offered lots of simple but effective indications of form through shape, which was a big motivating factor for jumping into this DSC.
DSC - Lone Wolf And Cub by jerseycajun
DSC - Lone Wolf And Cub
For :icondailysketchchallenge:.  As per the group instructions, I really do try to keep these to half an hour, but it's so damn hard at times to not go over a bit.   I did that here as well, given that I never want to use the reference exactly as it's been presented to me.  I want to at least come up with an original pose, but the confines of my workspace makes taking self-referenced poses difficult at best.  And the more time I spend on taking reference, the less I have for the drawing itself, being on a time limit.  I want to make the pose more dramatic than this, but I suppose these are meant to be first-drafts by design.

I think I let the time crunch pressure affect my thinking in executing this as well.  It's too calculated in the early stages and despite my attempts to loosen things up in the later stages, it still feels somewhat stiff compared to some of my other work.  Should have done a few more loose gestures to make the pose feel more natural first.
Meg Reconceptualized 1 by jerseycajun
Meg Reconceptualized 1

Meg was a lead character in a comic strip I ran online for about a year before technical difficulties arising from a policy change with my web host (folder permissions of all things) forced me to cease transmission.  This was however a good thing, as it launched my crusade in self-improvement.  She was the subject of some of my first submissions to DeviantArt.  That graphite drawing was right about the time I started diving into Michael Mattesi's Force series of books, opening up a world of possibilities I hadn't really ever seen myself being capable of successfully pulling off.  I originally just wanted to draw comics (and I still may do some of those, but better now), and figured, like many newbie artists, that I didn't need all that anatomy and perspective stuff.   Since then, I've taken two of Mattesi's online classes, and feel comfortable in entering a subject as intense as hand drawn animation.

So yeah, I decided to revisit the character that got me started, hence the "Full Circle" subtitle.  This isn't what I would consider a final refinement of the design, but it is several steps forward from where I last left the character and I felt it was worth sharing for contrast.  Much more form-focused now, especially in all thigns face related, but in genral as well. 
Note!  This entry will contain major spoilers for those not yet invested in the show and will discuss things which I think may have a high probability of happening in the remainder of the series.  If you have not yet gotten into the series and plan to do so, do yourself a favor and skip reading anything related to the events in the show, especially anything from the second half of season 1 all the way through to where the show is now.

So we know that Stan's big secret, that he was building the machine whose blueprints were outlined in the author's journals, in order to open a portal that his brother (who is also the author) apparently fell into 30 years ago in an attempt to retrieve him.  The series has done a masterful job for the most part of keeping the big reveal only hinted at, never drawing outright attention to the clues while still making the same clues present.

The trailer for the next episode has aired (A Tale of Two Stans) and looking through the rapid-fire images, a picture is starting to develop.  It would appear that the two Stan Pines (Stanley and Stanford) got along really well when they were very young.  They were the "Original" mystery twins, getting into adventures and generally looking out for each other, but at some point, their paths diverted from one another.  Stanley focused hard on his education and into his work in academia while Stanford goofed off and slid into get-rich quick schemes that, over time, gets him banned in just about every state in the country.  They part with their relationship severely strained.  Stanford is at this point, the "Black Sheep" of the family.  Personae non-grata, as the saying goes.  To the rest of his family he's such a disgrace that he's never even brought up to his own Grand-niece and nephew that he even exists.  Fast-forward in time, and it turns out that Stanford has been banned from just about every state there is to be banned from (hence all the fake ID's), except the one his brother is residing in:  Oregon.  He goes and pleads his situation to his brother, and Stanley reluctantly takes him in.  For awhile it may even appear that their relationship is mending, with Stanford even assisting his brother and McGucket on the first incarnation of the portal device, but eventually Stanford gets tempted by the potential for the secrets in his brother's Journal to make him a quick buck, quickly sending their relationship to an all-new low.  He may even through his own selfish action or inaction, cause the accident which endangers McGucket (as seen happening in a flash in the trailer) and perhaps sends his brother through the portal.

McGucket, so traumatized by these events (and perhaps having seen things that would drive a man insane because of the accident), takes the journals, adds the earth-shattering warning against using the device himself, and hides the journals to further prevent anyone from reconstructing the device.   He then invents the device that will erase his memory and becomes the McGucket we know today, as shown in "Society of the Blind Eye".  Stanford, racked with guilt at being directly responsible for these tragedies, and despite the fact that he himself is no genius, tries to and finds at least Journal #1 in an attempt to do just that: reconstruct the device in an attempt to retrieve his lost brother and atone for his own sins.  He stages his own death and adopts the role of his brother (whose name he may have swapped as well and the car with "Stanley" on it really was his all along,- the IMDB page for J.K. Simmons - who has been confirmed as the voice of the author - lists his role as being that of "Stanford" who Gideon and others know Grunkle Stan as, so this seems probable at this point), taking over ownership of the shack, and turning it into the tourist trap we were introduced to it as at the beginning of the show.  Stan uses his past experience in shady dealings to what he sees are good ends:  Every bit of money we think he's hording greedily is actually being put into reconstructing the device as per the instructions left in the journal and his own recollection.

Enter Mabel and Dipper.  Their parents believe they're sending the kids to stay with the other, reputable brother, not realizing the events that have transpired, and so the kids believe the same.  Dipper finds Journal #3 and the rest plays out as seen already to up to the most recent episode ("Not What He Seems").  Dipper in the preview asks, naturally, why Stan would hide this from them, but if what I suspect is true, then it's completely understandable why Stan would be so reluctant to share all this.  For the first time in probably forever, he's experiencing the life he denied himself by being the black sheep.  He gets to bond with family, something he at this point desperately misses.  Revealing the secret is to reveal the very darkest part of his own past, one that at this point in his life he is deeply, deeply ashamed of.  In his mind revealing it would effectively end this wonderful time he's been able to share with these kids.

Where the show goes from here?  It's been heavily implied that Bill Cypher has plans of his own involving the activation of the device.  He may have been part of the visions McGucket saw in his accident, which is why in McGucket's memory tube it appears that he's making the "Bill" symbol with his fingers and eye.  Indeed, the portal may inadvertently have caused the conditions necessary to bring Bill out of the Dreamscape and into reality, where his chaos is no longer limited by having to make the devil's deals with ordinary mortals in order to achieve his own ends.  This, I think, will form the core conflict for the remainder of the series until it ends (I believe it's been said that this series was written with a particular end in mind, and it seems we are rapidly approaching it).

The events will bring all the major characters as well as several of the minor ones who we've come to know better especially in season two (such as Robbie, Pacifica, etc) into this conflict and in the end I believe it will be Grunkle Stan himself who will end up having to make the ultimate sacrifice, finally atoning for his mistakes and restoring his reputation not only in his brother's eyes, but of those in the hearts of Mabel and Dipper as well.  The writers have for a long time had this peculiar habit of introducing various avatars of "Stan" which end up routinely getting obliterated:  (Wax-figure Stan, Scrambled-egg Stan, Piniata Stan, Puppet Stan, Hot-air Balloon Stan), not to mention that at the end of "A Land Before Swine", the writers literally have Stan fall into an open, empty casket.   Knowing what we know how the writers are so adept at weaving small things into the story to hint at future developments, I think this one is highly likely.

In the end, the theme which ties everything together (and what I think may really truly push this show into something that will go on to be remembered fondly the same way Avatar the Last Airbender did) will be that of Dipper and Mabel coming into a new sense of maturity in themselves, and their own sibling relationship having seen parts of themselves in the elder Pines twin's relationship, struggles, sacrifice and forgiveness.  This is the summer when the twins Grew Up. 

Lots of foreshadowing in the series hinting at that as well, signaling the end of one phase and the beginning of the next.   Brings a whole new meaning to the phrase "Everything will Change", doesn't it?  I don't think by the end it will only be a phrase used to describe the physical world in the wake of the portal's activation, but in the personal lives of all the main characters.  If true, that'll be some heady stuff for a cartoon modeled around the humor of shows like The Simpsons and Futurama, atmosphere and mystery reminiscent of the Goonies, X-Files, etc.

Perhaps just as important a message the twins may get from it is that no matter what happens from this point forward, no matter how much one or the other may screw up, or even break trust, never give up hope for them.  That's another theme the show has been hitting on repeatedly in numerous episodes, but this would be the example to end all examples.  A completely self-centered con artist who ends up giving everything up, even his life, for the sake of family.

Anyway, just wanted to get this on record before we get the actual story laid out and to have something to compare my thoughts now and my thoughts afterward.

Edit (7-14-15):

Having seen Tale of Two Stan's, I got some things right, and some details wrong.  In general though, the ways I was wrong weren't disappointing in that the differences made more sense than what I had thought might be the case.  I'm taking the step of underlining the things I feel were correctly identified, and leaving the rest as-is.  We'll see how this page looks when the series is over.

The parallels between the Stans and Mabel and Dipper were stronger than I thought they'd be.   Stanley is even more of a match to Mabel than previously thought.  He and Mabel hit it off from the start, but you could have argued then that that's just how Mabel is with everyone, but now we see it's much more than that.  They're both the heart of their respective sibling relationships.  The one who's most emotionally affected, and family-centered.  Losing that center hurts both brothers when its lost, but Stanley especially so.  It hurts Stanford too, but he's too proud and hurt by the circumstances of their parting to admit it even to himself.  In his mind, he still has his studies and research (though it should be noted that without any stabilizing force that his brother might have provided, he's somewhat reckless in his pursuits, to the point of putting the world at possible risk for the sake of answers).  Dipper and Stanford are both intellectuals and goal-driven while being somewhat tone deaf to the importance of family connections.  Dipper, especially by this episode's end, seems at the very least blissfully ignorant of the potential for his great friendship with his sister to go horribly wrong.  He takes it for granted that things will always be the way they are between them.  He's as unprepared to properly handle significant conflict between the two of them as Stanford was in his response to his brother's transgressions, which compounded the problems they experienced and are still going through apparently.  Mabel is much more savvy when it comes to issues of the heart, and is already perceiving the need to be wary of the same thing happening to them.  Of the two, she's more prepared at the moment to anticipate problems, which may really help in later episodes.

It's difficult to see an exact trajectory, but things are getting clearer.  The creators have done their job not only in wrapping up old mysteries, but in laying the foundation through foreshadowing and consistent character development, for the emotional core of what is likely to be the rest of the series.  Even disregarding all the foreshadowing hinting that Stanley isn't going to make it out of the series alive, this episode really did highlight how much Stanley belongs to the Mystery Shack and vice-versa.  His successes all revolved around the role he took (not coincidentally, by taking on the name of his brother - no success outside of them being together, even if in name only).  Outside of that he has nothing to go back to.  Kicking him out at the end of the summer is like a death sentence for him.  Back to a life of no family and no hope for a life outside of it.  This is going to put an enormous amount of pressure on Stanford to realize what he (and also Dipper) lacks: the human touch.  In this sense, Stanford has yet to be fully rescued.  Stanley rescued his body, but his soul isn't in the clear yet.  That will probably end up being decided in the series finale, or very close to it, as it would represent the sum total of everything this series is trying to say (and say masterfully as per the story overall is doing).

Stanley's concern for the kids is probably going to be the catalyst for that.  Two things are certain:  Stanley isn't going to allow the kids much access to Stanford out of concern for their safety, and Dipper isn't going to sit idle while the author is about with all the answers and mysteries to solve along side him.  The draw is going to be too powerful.  There's conflict coming which is going to force them to confront the issue of ambition vs. familial love, and how the former is only a force for good as long as it's properly chained to, and subservient to, the value of family and in a greater sense, the idea of human fraternity that Mabel and Stanley represent so well.

I have to say that in light of this episode, I really am impressed with how this new knowledge colors our impressions of pretty much anything involving Stanley from the beginning of the series.  One of my least favorite episodes from Season 1, the Gobblewonker episode, seemed like a trite, moral-of-the-week type thing.  Done well, and harmless enough, with a few good laughs, but nothing to write home about.  In hindsight, understanding that Stanley's need and desire for family is longstanding, going all the way back to the familial relationships of his long-past youth, adds a twinge of heartache to Stan's desire to just go fishing with his niece and nephew that elevates the entire episode and makes it all more poignant for it.  The same can be said for any number of other episodes involving Stanley and any number of lines he said which before were said for laughs, but in hindsight are now bittersweet, revealing a deep emotional scar.

Again, deep stuff for a 'kids' show.  Can we just call it a show now?  I find it harder and harder to identify the target audience as being so aimed at that single demographic the longer the show goes on and the more it proves its willingness to deep-dive into the complexities of human nature.
  • Mood: Annoyed
  • Listening to: The hum of a fan.
It depresses me, just a little mind you, that in researching traditional 2d animation software, almost to a one, every major software maker considers "traditional" to mean vector animation.

Pushing biezers and nodes on vector paths around to adjust your lines is NOT traditional animation.  Watch Glen Keane animating a few rough frames in front of a class full of students.  You have to feel your way through the movements.  You have to feel the mass of the objects you're pushing around with your pencil.  Having worked with vectors in multiple programs (Manga Studio is the best one for artists, in my opinion), and having studied how to animate traditionally under Mr. Mattesi, I can tell you the sensation is completely and utterly opposite the one that feels like you're producing organic movement, when working with vectors.  There just isn't any comparison.  If "Tarzan" or "Beauty and the Beast" used these packages to animate, I shudder to think of the results.

Why is it that we can make so many different programs for 2d animation and yet hardly any of them seem to understand that aspect?

*Note: TVPaint seems to be the exception to the rule, still utilizing a bitmap rasterized format.  Unfortunately, it's also expensive as all get-out.  Most of the others aren't cheap either, but it seems you have to pay a premium to go truly traditional.  Heck, even ToonBoom Studio reserves any and all bitmap features for their top tiered products.  Bwhah?


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Justin Miller
Artist | Professional | Digital Art
United States
Former engineer turned graphic artist and illustrator.

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Sol-Caninus Featured By Owner Jul 22, 2015   Traditional Artist
Do you ever use DA Muro?  It looks and works a lot like Mischief, except for the infinite canvas.  Is it worth working on?
jerseycajun Featured By Owner Jul 22, 2015  Professional Digital Artist
Tried it.  Not a fan of the way the layers work, personally.  Checked it out again a week ago just to see how it's been updated.  The brushes have gotten more diverse, but Mischief still feels more natural.  Manga Studio too, for that matter.  Can't customize the controls to my tablet so it typically results in a lot of the aforementioned keyboard pecking (And I really like having both hands on the tablet at all times during drawing).  Also, I'm still old-school enough to appreciate having a copy of the drawing software installed on this end of the internet :)  You know, in case of loss of connection or disruption of service, etc.

It's nice in concept, but if I'm going to do something along those lines I'd be more inclined for something truly involving a group of artists all working on the same drawing simultaneously kind of thing.  Then the cloud-art aspect makes more sense to me.

Not sure what it's options are for outputting your art either.  Never got far enough along in a piece that I considered saving the results out to something else.

If you try it and get further than I did with it, let me know your experience.
Sol-Caninus Featured By Owner Jul 22, 2015   Traditional Artist
I'm playing with it, which is why I asked.  But like you, haven't gotten to the point of being serious enough to import/export, save, etc.  But I like it, so far.  Will let you know how it goes as I progress. 
Primineers Featured By Owner May 25, 2015  Hobbyist Artisan Crafter
thank you for adding my works to your collection! :D
Twilightzonegirl13 Featured By Owner May 25, 2015  Student Digital Artist
Thank you for the watch!
Primineers Featured By Owner May 20, 2015  Hobbyist Artisan Crafter
thank you for adding my work to your collection! :D
jerseycajun Featured By Owner May 20, 2015  Professional Digital Artist
Keep making great stock reference and I'll keep adding it!  :)
Primineers Featured By Owner May 24, 2015  Hobbyist Artisan Crafter
hahahaha! :D okay! I am a dummy! 
EymBee Featured By Owner May 7, 2015  Student General Artist
Thanks for watching me
McGillustrator Featured By Owner May 6, 2015  Professional Digital Artist
Thanks for the Watch!
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